November 04 2005
Hotty Miss  |  by arts.guardian.co.uk. All rights reserved. 27.11 | 21:29


In a rare interview, Babyshambles frontman Pete Doherty talks to Simon Hattenstone about death, love and why he can't go a day without drugs.
Will Young was so freaked by fame he started an essay on the subject. So how does he feel about his gay icon status - and being tipped as an artist worthy of Robbie's throne?

He talks to Caroline Sullivan.
Once the most important hip-hop group in the world, Public Enemy have become rap also-rans - but Chuck D shows no sign of giving up the fight. By Alexis Petridis.


Olivier Messiaen left a stunning legacy, but was very secretive about his work. Given access to the composer's archives and diaries, pianist Peter Hill discovered the extraordinary man behind the music.
The London jazz festival starts next week.

We asked the top performers to pick their highlights.
John Harris: People's opinions about selling out seem to have changed over the years, said Jack White. Now he's written a song for Coca-Cola.


Architecture in Helsinki: 'We'd get a whole load of tins, bits of metal we could hit.'
We are happy to watch people in council estates or castles at the cinema, but whatever happened to the middle classes? Mark Lawson on a new film that breaks a dramatic taboo.


Beirut is being shaken by a new film that tracks down the killers - not the victims - of the notorious massacre of Palestinian refugees by Lebanese gunmen. Rory McCarthy reports.
Duris is the veteran of dozens of French movies from the past decade, but here he hits a dazzling streak.


Frantic and bombastic, like a multicoloured fairground ride that offers everything but enjoyment.
Anger, as fierce and concentrated as a blowtorch flame, burns out of the screen during this documentary.

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