Not too long ago Ronen Givony started the Wordless Music Series , which is pretty much just what it sounds like it would be. Sonic worlds collide and fuse classical with indie, jazz with electronic and listeners with instrumental-only music. In the next week audiences will enjoy the sounds of Do Make Say Think and Beirut from an intimate setting for just such an experience.
How did you come up with the idea for the Wordless Music Series? The inspiration for the series was twofold. At the time, I had just started a job writing grants and the like for the Chamber Music Society of Lincoln Center.
By a strange coincidence of timing, I went through a period of six months or so where I listened to very little other than old recordings of chamber music, instrumental indie rock, and minimal/ambient/experimental electronic music. One day, I asked a colleague what was meant, exactly, by the term "chamber music," and was told that it referred to an art form of music by "small numbers of performers, for a small, intimate, attentive room." This got me to wondering, first, why a lot of the artists I was hearing at places like the Mercury Lounge and the Bowery Ballroom couldn't be considered "chamber music"; and second, why a lot of the people at these shows seemed to know all about Radiohead and Bjork but nothing about Bach, or Haydn, or Stravinsky, when all of them seemed (at least to me) to have so much to say to each other.
A year later, Wordless Music remains very much a chamber music series, with the underlying idea that people who like one or more of these different schools of "chamber music" would probably find something of interest in the others.
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