Panel discusses how hip-hop portrays women in wake of Imus scandal
Fanny More  |  by daily-journal.com. All rights reserved. 21.05 | 9:13

CHICAGO (AP) -- A panel discussion titled "Does Hip-Hop Hate Women?" drew more than 400 people indoors on a sunny day -- a sign that the furor that erupted over Don Imus' comments isn't over yet. As Imus struggled in vain to keep his job earlier this month, he claimed that rappers routinely "defame and demean black women" and call them "worse names than I ever did.

" That led to some music-industry navel-gazing, but too little action, according to some of Saturday's panelists at the University of Chicago. Some speakers criticized music executives for meeting earlier this month in New York to discuss violent and demeaning language in mainstream rap music but failing to make a strong statement against it. Others blasted hip-hop mogul Russell Simmons for not doing enough when he called this week for the recording and broadcast industries to ban three words -- "bitch," "ho" and "nigger" -- from all so-called clean versions of rap songs.

"How is no one saying to Russell, 'Yo, we already bleep out those words'?" said Joan Morgan, an author and commentator on hip-hop and feminism. Others at the event said hip-hop shouldn't be made a scapegoat for what's wrong in America.

"We allow this language to go on," said Amina Norman-Hawkins, a Chicago hip-hop emcee and executive director of the Chicago Hip-Hop Initiative. "As a community, we aren't responsible for our children. So we don't teach our little boys how to grow up to be men and respect women.

We allow them to learn from the street what's acceptable." The panelists at the event, co-sponsored by the University of Chicago and Columbia College, also included academics who for years have been taking to task some hip-hop artists for perpetuating stereotypes. Imus was fired by CBS Radio on April 12 for referring to the Rutgers women's basketball team as "nappy headed hos" while on the air.

Some said the firing has provided a new opportunity to galvanize public opinion on the issue. "Sexism is too convenient within the black community for black men," said David Ikard, an assistant professor at the University of Tennessee. "This issue of Imus came up and I asked the black men in my hip-hop course what were their stakes in it.

They were like, 'Well, we don't really have any stakes in it. It seems trivial."' He called on black men to do more to speak up for black women.

Tracy Sharpley-Whiting, author of "Pimps Up, Ho's Down: Hip Hop's Hold on Young Black Women," said young black women are hungry for affirming images of their sexuality. Women who are calling for an end to objectionable portrayals of females in rap lyrics are not anti-sex, Sharpley-Whiting said. FINISH "If you're critical of hip-hop and representations of black female sexuality (it's seen as) somehow we're saying all representations of sexuality are problematic," she said.

"And that's not the case.

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Keywords: Hip Hop, Black Women, Chicago Hip Hop, Young Black, Sharpley Whiting, Young Black Women, Chicago Hip
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