Ramblings on politics, film, music, literature, current events, pop culture, lists, dirty words, trapezoids, birds, cartoons and any other damned thing that strikes my synapses. A 39ish-year-old freelance journalist and writer living with his wife and baby daughter in the hardscrabble environs of Oklahoma, Chase McInerney now spends much of his time frozen in stark, cold sweat-inducing, gut-percolating fear. For it will be soon .
.. yes, very, very soon.
5.
An entertaining trip down memory lane through the platform-heeled sleazepit of the Seventies, with the particular thrust (heh heh) being the notorious X-rated gem that made and household names (well, a lot depends on the household, I suppose). What's not to like?
I'll take porn over penguins any day.
4.
Less a documentary than an impressionistic work by legendary filmmaker , who manages to put his indelible vision on the story of another visionary, the late .
The "grizzly man" of the title, Treadwell was an environmentalist-filmmaker who lived among the wild bears of Alaska until -- well, knock me over with a feather -- he was done up and eaten by one. Herzog, who pored through more than 100 hours of footage taken by Treadwell, presents a complex portrait of a man equal parts solicitous, insane and just another society burn-out. What I personally like most are Herzog's bizarre, occasionally jarring, narrative asides about the common denominator of nature being chaos and murder.
Oh, those nutty, nutty Germans ...
3.
If you don't like (and if not, shame on you), you'll like it. If you like Dylan, you'll love it.
Directed by , this is a big, dense chronicle of the rise of the enigmatic Robert Zimmerman -- and a wonderful reminder of the crucial role that music can and does play in shaping our beliefs.
2.
The get-pissed documentary of the year makes the Enron saga a bit easier to understand, but filmmaker , for the most part, stays away from the scandal's technical side.
This is chiefly a fiery corporate-horror story. While Gibney makes a few leaps in interpretation -- such as explaining Enron's evil streak by way of 's behavioral experiments of the Sixties -- this is still compelling, infuriating stuff. And few moments in modern cinema are quite as jaw-droppingly gross as actually hearing the Enron traders laugh about causing misery in California.
1.
Although undoubtedly the finest sports documentary in recent years, Murderball is much, much more. It is that rarest of documentaries, a work in which filmmakers and came expecting one subject but instead stumbled on to a wide range of human experience.
At its most direct level, the movie follows quadriplegic rugby -- known to its hyper-competitive participants as "murderball" -- as practiced by the U.S. Paralympics team.
The picture is dominated by two larger-than-life personalities, the U.S. team's and the Canadian team coach, , but Murderball ultimately explores richer, more fundamental truths about humankind.
Just great.
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