Nashville Rock Post 1978 Part 4
Travis Roy  |  by blogcritics.org. All rights reserved. 15.04 | 17:33

Here it is: the final installment of Soulfish Stew's look back at Nashville Rock Post 1978. If you've missed the first three posts, here are the links:
incudes: Jason and the Nashville Scorchers, The Dusters, Practical Stylists, F.U.

C.T., Questionnaires, Dave Cloud, and Cloverbottom
includes: The Shazam, No Art, 69 Tribe, Walk The West, Chip and the Chiltons, White Animals, and the Young Nashvillians
includes: Webb Wilder and the Beatnecks, Jack, Shadow 15, Government Cheese, The Movement, Crop Circle Hoax, and The Enemy/Royal Court Of China
Wally: - From the first moment I saw this band (opening for Superchunk at the long paved over Pantheon) I knew they were different.

Most rock bands usually don't take the stage with seven people unless they're playing early 70's style Southern rock. Maybe it was because I was ready to rock out to Superchunk because Lambchop really bored me. I saw them again a few months later and I got the same blah feelings.

First impressions are sometimes everything, because I've still not come around to their sound. They've made a fairly good sized dent in the music world and won critical acclaim across the globe, but they just don't do a thing for me besides put me to sleep. I called up DD Blank for his take on the band and the idea that leader Kurt Wagner is some sort of genius and I got the following response.

I guess I'm not the only one, but surely a few thousand Lambchop fans can't be wrong.
DD: Lambchop - ZZZZZZ..

.
Wally: Raging Fire - Melora Zaner was so dreamy! The ep Family Thing is one reason why I'd never get rid of my record player.

That Pristine Records release has to be on the shortlist of all time great Nashville records. If I'm not mistaken, Rick Champion even managed them. Their live shows did indeed rage with fire behind the guitar twirling antics of Mike Godsey.

Second release Faith Love Was Made Of on Neo Records was not as good a record and like most bands that never make it big, Raging Fire smoldered out.
DD: Raging Fire A Family Thing EP was a blistering moment in Nashville rock history. It was all over the college charts at the time and with good reason.

It was fresh, cool, and rocked like a mother. Find a copy of it today. Melora Zaner, Lee A.

Carr, Mike Godsey were great parts to a great band. They were another band that never got as far as they could have in the right situation.
Wally: - During the late 80's and early 90's this jazz metal Black Sabbath wannabes band seemed to open every show I attended.

I admired the heaviness of their unmelodic tunes that represented a darker underbelly of the city, but I especially liked the king hell bashing of drummer Ken Coomer who later went on to fame with Uncle Tupelo, Wilco and is currently with Swag. Their cds that came out on First Warning (I don't know if both of these were with Coomer who is reported to have said a reunited Clockhammer sounded like "watered-down Kansas") were steady sellers when I worked in the record store biz. They probably still are.


DD: Clockhammer - I would never include these guys in a top 20 list, except
perhaps top 20 bands for which I never understood the popularity. I
enough for me. However, they seem to have a fanatical following and a
former Wilco member drummed for them at one time, so maybe there is
something that I am missing.


Wally: P.M.S.

- January 86 I got to see a last show at Cantrells, before it mutated into Panana Reds or some other tropical named hellhole, by the Circle Jerks. The opening act was PMS who were young high school age kids. They were probably terrible, but I was young and thought they were great.

There might have been twenty punk kids in the place slamming to them, but it was transcendent. I especially loved it when the singer pretended to hang himself with the microphone and screamed out, "You bet this son has an attitude problem!" Later, after the Circle Jerks, we went to Wendy's to eat and there was PMS at the next table.

Through eavesdropping we figured out they were from Brentwood, probably some super rich kids, and that thought cracked us up.
One of the top twenty bands in Nashville post 1978? Not to most, but they always will be to me.


DD: P.M.S.

- They were the first hardcore band that I ever saw live followed closely by the Circle Jerks. I was one about 30 kids at that show. They proved that there was nothing to worry about at a punk show in Nashville except that it might rock!


DD: Mr. Zero Lee A. Carr - on guitar and a rapper?

I didn't know what to make of this at first. It's too bad that terrible cover versions of Mr. Zero have taken over the "modern" rock airways.

These guys were actually fun and you didn't feel like they hated for you to listen to them like their current clones.
Wally: Mr. Zero - Well, Lee wasn't doing the rapping, but he was doing the playing.

After playing with The Enemy and then Raging Fire he was one of the pioneers of rock and rap with his band Mr. Zero. They were the only one's doing this stuff back then.

They were true innovators and like most innovators, they were long gone before the civilization known as metal rap came to fruition. These guys were incredibly fun live. They were a party that knew no boundaries specializing in setting the roof on fire.

The only possible recorded taste comes from their successors (I believe there's a connection) the Hard Corpz. Sadly Lee A. Carr passed away a few years ago to little notice in the Nashville rock community.


Wally: Johnny Panic and the Bible of Dreams - A certain age. A certain generation certainly remembers the Panicmobile, an old junky spray painted car that would always be parked outside their gigs. Late 80's punks with a soft chewy center, they put out one intoxicating lp titled Will Work For Food that featured off beat ditties galore.

The most memorable Glass Onion show for me was one where the guitar player was an hour late. The crowd was getting angry and restless when word got around that he had arrived. The crowd's anger disappeared as he appeared wearing a life preserver borne on the shoulders of friends.

I wonder if they got their name from the Sylvia Plath book or from the song by Nashville's Tom Fitzgerald which probably got its name from the Sylvia Plath book.
these guys a delight for the few years that they were around. "She Just Said No" plays over and over in my head every time I get dumped
DD: - He came from Bowling Green, KY to give us hours of enjoyment time and time again.

Popster, rocker, country superstar. Bill can do it all and he still does everyday. A city treasure!


Wally: Bill Lloyd - Don't forget about the December Boys or Sgt. Arms. Nashville via Bowling Green, he is a ubiquitous part of this town and a heck of a nice guy.

I miss talking to him when he would come into Phonoluxe though I don't miss the work of being a record store clerk. He has played with everybody in all styles. How can you not love somebody that could write a line like "There's a hole in my heart the size of your Jacuzzi"?


By my count, and DD's the math professor (not me), that's 28 groups we've appraised and found worthy. I'm sure we've come nowhere near satisfying the reader's own choices so let us know who you've dug over the years from the fair city on the bank of the Cumberland. Just off the top of my head, let's see there was Rumble Circus, Factual, Dessau, Grinning Plowmen, Jet Black Factory, Guilt, Tomorrow's World, Word Uprising, Dr.

Gonzo, the Boilers, The Claimstakers who were great, Thee Phantom 5ive, Dragula, Valentine Saloon, the Tennesse Walts, Brad Jone's Dig Mandrakes, Will Rambeaux, Cruel Blue from the 'boro, The Wrong Band, Tim Krekel and The Sluggers, The Nerve, Basic Static, Teen Idols, Rednecks In Pain, Lust, Simmonz, In Pursuit, Lambchop, Little Saints, The Thieves, John Jackson and the Rhythm Rockers, Burning Hearts, Freedom of Expression, De Novo Dahl, The Exotic Ones, The Creeping Cruds, Ted Lindsey and the Democrats, Electric Boys, Purple Giraffes, Luxury Liners, Who Hit John, Riff Rath, F Particles, Jonny Master and the Beta Klub, Idle Jets, Bare Jr, Will and the Bushmen who were incredible...

can I revise my list? See what I mean? All of this was off the top of our head's and merely scratches the surface of the great amount of rock and roll Nashville has produced.

We didn't even begin to really examine the 90's in any real detail, which has seen a boom in talented acts. So, if you've been a resident of Nashville for the last 27 years DD and I don't want to hear any complaining about how bad the music scene was because it just isn't so.
Let me know who I missed.


Jet Black Factory rocked. I would love to have some info on them and what became of them. I have 3 of their albums (gotta love eBay).

I never got to see them play live, but I love the music. Good stuff.

Jet Black Factory were the closest of any band to making a the summary list.

I liked their dark sound, but I never had of their records or got to see them live so they only made the wrapup list at the end. If you google Lance In Iraq you can see what former Jet Black Factory guitar player, Lance Frizzell, is doing in Iraq with the 278th.

I was the co-founder of the Fireplace Whiskey Journal (one of Nashville's first music zines), and had to laugh when I saw the little cartoon Lee drew on your blog!

Lee drew all the funny cartoons for the FWJ and he is sadly missed by all the FWJ crew.
I would like to help round out your summary about Mr. Zero.

The connection between Mr. Zero and the Hard Corps was Kelly Butler, Lee's cousin. Lee and Kelly were the "Terror Twins" of the Gallatin scene back then.

Kelly was really the driving force behind both Mr. Zero and the HC. He managed to get the Hard Corps signed to the startup label Interscope Records (they're doing pretty good now!

). The Hard Corps were tremendous live, but not as fun as Mr. Zero in my estimation.

Mr. Zero also included the unpredicable Grandmaster E on vocals. I have a cassette tape of an old demo of Mr.

Zero somewhere...


Your blog is a great trip back to a wonderful time in my life! Thanks for doing it.

Wow.

. thanks for the trip (down memory lane). In the mid to late 80s.

I survived my college years at TTU in Cookeville by listening to RVU (had to hang out the window naked with aluminum foil covering my body to get it but it was worth it). Future councilman Adam Dread and all of the great music.
The live shows: Mostly at the Cannery.

I also saw Jason at Cat's in '85 and at Rites of Spring in '86. The Metro, FWJ, seeing Bill Lloyd at almost every show I went to..

. Walk the West all ages at the Cannery - kids hanging all over the amps. Warner Hodges guesting on Honkeytonk Women at lots and lots of shows.

.. Dusters, Webb, Will and the Bushmen, Raging Fire, In Pursuit, Marty Stuart opened a benefit for the old Elliston Place club at the Cannery.

.. punk rock chick do-si-do-ing.

.. only in Nashville only at that moment in history.

..
I still have a number of old Nashville vinyl albums.

.. just need a turntable.

..
I agree with Joe; thanks for the "trip (down memory lane)"; found this blog accidentally while trying to see if I could get some online info to fix a date for the X show at the Exit/In in the mid 80's.

I think that the Exit/In was actually "closed" then, but they held a few shows (and one of Rick's "Alternative Jams" was held there when it was officially "closed"). I didn't find what I was looking for, but got much more than I expected.
The early 80's were a great time to listen to local bands in Nashville, and to see some of the best bands out there--seemed like "everyone" wanted to play "the Country Music Capital.

" Cantrell's was a dump (particularly the bathrooms), but for a time there was almost always something going on there worth checking out. My most distinct memory of the place itself is of its dark red women's bathroom (painted that way in honor of some Valentine Day show/party) and a lingering memory of there almost always being some kind of water leak (roof/bathroom/both). The "scene" was so diverse.

There were great local and regional bands, and some of the coolest bands in the country passed through town during that time. The 1983 Alternative Jam sticks out in my mind as representative of the variety: Factual, Oh Ok, The Young Gray Ruins, and Jason and the Nashville Scorchers (I think there was another band, but I can't recall it). A little something for all tastes and so much energy we could dance long past the point of exhaustion).

The Cat's Last Chance show was like that; the parking lot hummed w/ it, and it spread out into the street.
Sometimes the crowds were small, like the Circle Jerks' show that was mentioned (I am thinking it was snowing or something that night). It was same for The Gun Club, who played the night after some "big" band (The Bangles, I think) that drew a huge crowd b/c they were getting mainstream radio play but whose show lacked the intensity/rocking quality of The Gun Club show the next night.

I was trying to remember, but I think that Raging Fire played one of their first shows that night when they opened for The Gun Club.

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Keywords: Raging Fire, Jet Black, Black Factory, Nashville Rock, Circle Jerks, Jet Black Factory, Hard Corps, Gun Club, Rock Post, Mike Godsey
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