A neo-soul dream come true
Andy Jones  |  by www.denverpost.com. All rights reserved. 13.04 | 2:55

John Legend always seems to be fresh off of something - a Grammy win, a platinum album, a talk-show appearance. At the Wells Fargo Theatre on Tuesday night, he seemed refreshed and energized, the screaming audience hanging on his every sandpapery note. Corinne Bailey Rae, a British neo-soul/ jazz vocalist with a powerful voice that belies her graceful, diminutive figure, opened the show on a wide, light-splashed stage.

The eight-piece band revved the crowd up instantly, its crystalline sound never overpowering her smooth vocals. Flanked by horns, keyboards, guitarists and backup singers, she offered up such agreeable tunes as "Till It Happens to You" and "I Won't Let You Lie to Yourself." Despite cellphone-addled audience chatter, Rae eventually commanded attention with songs like the Carole King- leaning "No Love Child," which featured thick standup bass and scorching New Orleans-style trumpet.

During the Led Zeppelin cover "Since I've Been Loving You," the purple stage lights cast huge shadows on the backdrop, lending the scene a mood out of "Fantasia." Closing song "Seasons Change" channeled a '70s Stevie Wonder vibe, Rae's radiant stage presence bringing home the lush melodies. Legend's three backup singers took the darkened stage before him, the audience erupting into calls and yelps.

When the Grammy-winning headliner appeared, clad in a black suit, tasteful T-shirt and white sneakers, the women in the crowd lost it. Legend split the set between songs from his two albums, "Get Lifted" and last year's "Once Again." The smooth R B songs blended well with his straightforward piano work, although his shiny black Yamaha was sometimes lost amid thumping drums and careening horns.

Seldom was each component of the 11-piece band audible in the bass-heavy mix. The Wells Fargo Theatre's sterile acoustics could use a bit of tweaking. Legend's dry yet powerful vocals were also occasionally lost in the din, although as he worked through such songs as "Heaven," the soulful "Stereo" and the bland new single "Save Room," he balanced volume with nuance.

The set was barely half over by press time - disappointing considering that the rumored Rae/Legend duet, a reprise of the duo's Grammy pairing, hadn't happened yet. But the crowd seemed ready to continue adoring Legend for the rest of the night, and with good reason.



Related news
  • Elementary My Dear Watson
    Lewis O'neal

    Originally from Eastern Washington, so I can drive in snow (a rarity in Seattle). Have a wonderful blue-eyed blonde wife (Annette) and two kids (Still trying to get the last one moved out)...

  • Led Zeppelin Leather Wallet UK MEMORABILIA (381231)
    Ronaldinho

    leather wallet with a sturdy metal chain, fold out wallet with pockets for paper money, a stud fastening pocket for loose change and space for credit cards, on the 'studs' sideof the wallet is a white embossed Led Zeppelin logo, on the flipside is a prin...

  • Lynx, the band from school times | oHERALDo
    Jim Borowski

    Lynx, how did you come up with this name? It’s an ancient cat which sleeps in day and is awake in the night. Earlier 3 of our members used to play for a band called “Link”, but people used to call us “Links”. So we decided to re-spell as Lynx...

  • Music Glob New Music
    Jim Borowski

    I mentioned a few months back that The new album which is still untitled as far as I know is due out October 3. I ve been into their pop rock since they first shot into the world about 2.5 - 3 years ago I guess it would be...

  • Whipping up a sand storm
    Penny Ditch

    Led Zeppelin luminary Robert Plant says that listening to their music is like dropping a bucket into a deep well. And bluesman Taj Mahal, when he first heard them, said he felt like he'd come home. Tinariwen are getting used to such tributes...

Post comments
Name
Place
3 + 7 =
Comments