Jennifer Lopez's ambition made her a star - at the price of her relationships and her reputation. Something had to give, she tells Louise Gannon.
Rachid Taha was just one of the musicians inspired by the Clash's visit to Paris in 1981.
John Lewis explores the band's enduring influence in France.
In a secluded rehearsal room underneath the Westway flyover in London there are two drummers. One is Tony Allen, who created Afrobeat, and the other is Dave Simpson.
Owen Wingrave, Benjamin Britten's opera, had its genesis in a ghost story - but became a cruel allegory of repressed homosexuality and pacifist rage. Now is a perfect time to revive it, says Tim Ashley.
The Killers reminded me once again that cool no longer rules.
We are living through the tyranny of what might be called the New Wrong.
Nanni Moretti's film The Caiman was timed to scupper Berlusconi's re-election. Now, he tells Patrick Barkham, he hopes it may help Italy understand what went wrong.
Before the latest crop of international film-makers sign their careers away to Hollywood movie studios, there are some things they should know, says Patrick Goldstein.
No thanks for my Ukrainian effort, says Michael Hann.
Mobile movie for the little horrors.
Jake Horsley reports.
Can Hilary Swank act or be interesting when she's not winning an Oscar?
Chris Salmon finds rock reunions, breakups - and unhinged venom.
A handsomely staged, well acted, and affecting story.
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