Odetta was born on New Year's Eve 1930 in Birmingham, AL. By the time she was six years old, she'd moved with her younger sister and mother to Los Angeles. She showed a keen interest in music from the time she was a child, and when she was about ten years old, somewhere between church and school, her singing voice was discovered.
Odetta's mother began saving money to pay for voice lessons for her, but was advised to wait until her daughter was 13 years old and well into puberty.
Thanks to her mother, Odetta did begin voice lessons when she was 13. She received a classical training, which was interrupted when her mother could no longer afford to pay for the lessons.
The puppeteer Harry Burnette interceded and paid for Odetta to continue her voice training.
When she was 19 years old, Odetta landed a role in the Los Angeles production of Finian's Rainbow, which was staged in the summer of 1949 at the Greek Theatre in Los Angeles. It was during the run of this show that she first heard the blues harmonica master .
The following summer, Odetta was again performing in summer stock in California. This time it was a production of Guys and Dolls, staged in San Francisco. Hanging out in North Beach during her days off, Odetta had her first experience with the growing local folk music scene.
Following her summer in San Francisco, Odetta returned to Los Angeles, where she worked as a live-in housekeeper. During this time she performed on a show bill with
In 1953, Odetta took some time off from her housecleaning chores to travel to New York City and appear at the famed Blue Angel folk club.
and had both taken an interest in her career by this time, and her debut album, , was released in 1954. From this time forward, Odetta worked to expand her repertoire and make full use of what she has always termed her "instrument." When she began singing, she was considered a coloratura soprano.
As she matured, she became more of a mezzo-soprano. Her experience singing folk music led her to discover a vocal range that runs from coloratura to baritone.
Odetta's most productive decade as a recording artist came in the 1960s, when she released 16 albums, including Odetta at Carnegie Hall, , , It's a Mighty World, and .
In 1999 she released her first studio album in 14 years, . Vanguard Records has released two excellent Odetta compilations: (1989) and (1999). On September 29, 1999, presented Odetta with the National Endowment for the Arts' Medal of the Arts, a fitting tribute to one of the great treasures of American music.
The next few years found Odetta releasing some new full-length albums, including and a collection of tunes, . She toured North America, Latvia, and Scotland during this time and was mentioned in Martin Scorsese's 2005 documentary, No Direction Home. That same year Odetta released , which went on to receive a 2007 Grammy nomination for Best Traditional Folk Album.
~ Philip Van Vleck, All Music Guide Born December 31, 1930, in Birmingham, AL; daughter of Reuben and Flora (Sanders) Holmes; name originally Odetta Holmes; surname legally changed to Felious in 1937; shortened name to Odetta in 1951; married Don Gordon, 1959 (divorced); married Gary Shead, late 1960s (divorced); married Iversen Minter, 1977.
Education: Earned degree in classical music and musical comedy from Los Angeles City College.
Performed in the chorus of Finian s Rainbow, San Francisco, CA, 1949; recorded debut, Tin Angel, 1954; appeared on the television program Tonight with Belafonte 1959, and in the movie Sanctuary, 1960; sang at March on Washington, 1963; hosted Montreux Jazz Festival in Switzerland, 1975; performed in Bessie Smith and appeared on PBS for Ramblin with Odetta, 1980s; released Blues Everywhere I Go, 2000.
With the release of Looking for a Home in 2001, Odetta returned to her roots to pay homage to a prominent influence, Leadbelly. According to Sing Out!, "Nearly half a century after she started making records, Odetta s new recordings remain essential.
" She began her career in the late 1940s, mining traditional gospel, folksongs, and blues for her repertoire. While often associated with the American folk revival of the late 1950s and early 1960s, she recorded her first album before the Kingston Trio released "Tom Dooley," and remained active long after the revival s demise. Odetta worked in the civil rights movement during the 1960s and was given the key to Birmingham, Alabama, in 1965.
She showed a willingness to branch out from traditional music, experimenting with jazz and recording the songs of contemporary writers like Bob Dylan. Craig Harris wrote in Music Hound Folk, "Odetta is one of folk music s most influential performers."
Odetta Holmes was born in Birmingham, Alabama, in 1930 on New Year s Eve, the only daughter of Reuben Holmes and Flora (Sanders) Holmes.
The family moved to Los Angeles in 1937 and she adopted the surname of her stepfather, Zadock Felious. At the age of ten she discovered her vocal ability, and at 13 she began taking voice lessons. She joined the in junior high school, took piano lessons, and planned for a career as a concert singer.
After graduating from Belmont High School in 1947, Odetta started taking night classes at , eventually earning degrees in musical comedy and classical music. Folk music, however, would soon interrupt her theatrical career. Between an appearance in Finian s Rainbow at the Greek Theater and a job working summer stock in , she was introduced to the fledgling folk music scene.
"School taught me how to count and taught me how to put a sentence together," she told Liane Hansen at National Public Radio. "But as far as the human spirit goes, I learned through folk music."
She worked as a live-in housekeeper and became a regular performer at the Tin Angel in San Francisco.
At 21, she shortened her name to Odetta when a nightclub owner suggested that her last name was too difficult to pronounce. With an ability to sing throughout the soprano range, Odetta developed into a distinctive . Accompanied by "Baby," her acoustic guitar, she offered deep, committed interpretations of the old folk songs.
Odetta told John Milward in the liner notes of Livin with the Blues, "When I play the guitar, I can be so deadly serious that even I ve got to laugh."
Odetta s reputation grew quickly. In 1953 she traveled to New York City where she appeared at the Blue Angel for a two-week run.
Both Pete Seeger and Harry Belafonte supported her early career and in 1954 she recorded Tin Angel with Larry Mohr. Two years later she released her proper debut, Sings Ballads and Blues, for Tradition. "In its day, it was quite an influential recording," noted Richie Unterberger in All Music Guide.
"Bob Dylan, in fact, once cited this record in particular as the one that made him decide to trade in his electric guitar and amplifier for an acoustic guitar." Odetta followed the album with At the Gate of Horn, a live album recorded at the renowned Chicago folk club of the same name. In the liner notes to The Tradition Masters Jim Bessman wrote that "her Tradition titles did indeed serve as lessons in American folk music, not to mention source material for any number of artists.
"
In 1960 Odetta began the most active decade of her career, a ten-year period that would include 16 albums, numerous festival appearances, and new artistic directions. While she continued to sing traditional folk music, she offended folk purists by also into jazz and contemporary songs. 1962 s Odetta and the Blues featured the backing of Buck Clayton and his band on a series of jazz songs, while 1965 s Odetta Sings Dylan utilized electric guitar to pay tribute to a singer that she had influenced.
Unterberger described the album as "one of the first albums entirely devoted to Bob Dylan interpretations, and one of the best." In fact, Dylan stopped by the studio to correct a few lyrics that the publisher had copied incorrectly. "I asked him to leave," Odetta recalled to Jools Holland at the British Broadcasting Corporation (BBC), "because it s hard enough to record.
...
and I didn t want the composer standing around saying, I didn t mean it like that. "
Odetta also became involved in the civil rights movement during the 1960s. She marched with in Selma and sang at the 1963 .
The same year, she performed for John F. Kennedy on the television program Dinner with the President. Wrote Milward, "Odetta saw little distinction between the personal and the political, which is why it was only natural for her to carry Dr.
King s dream to concerts and recording sessions."
In 1972 Odetta, along with Marian Anderson, Paul Robeson, and Eubie Blake, received the Duke Ellington Fellowship Award. She hosted the Montreux Jazz Festival in 1975 and appeared with Cicely Tyson in the television movie The Autobiography of Miss Jane Pitman in 1974.
In the 1980s she received the American Eagle Award from the National Music Council and starred in a stage production of Bessie Smith. Odetta participated in multiple projects during the 1990s and appeared with the Boston Pops, on National Public Radio, and on Columbia Broadcasting System s Sunday Morning.
In 1999 Odetta recorded Blues Everywhere I Go, her first album in 14 years, and followed it in 2001 with Looking for a Home, a tribute to Leadbelly.
"Odetta tackles a handful of his classics in her own distinctive style," wrote Jonathan Widran in All Music Guide, "with moods ranging from melancholy and emotional ...
to spirited and humorous." She also continued to protest inequality in the United States. Speaking of "The Star-Spangled Banner," in 2002 she told Jeff Rivers in the Hartford Courant, "I m living in the place they re singing about, but the description is not the place I live in.
" With over 50 years devoted to folk music, Odetta s new recordings and concert performances are introducing her to yet another generation. Bessman noted, "If Woody Guthrie is the father of folk music as we know it, Odetta must surely be the mother."
Sylvania Award for Excellence, 1959; presented with key to the City of Birmingham, AL, 1965; Duke Ellington Fellowship, Yale University, 1972.
Selected discography
- Sings Ballads and Blues, Tradition, 1956.
- At the Gate of Horn, Tradition, 1957.
- My Eyes Have Seen, Vanguard , 1959.
- Odetta the Blues, Legacy, 1962.
- It's a Mighty World, RCA, 1964.
- Odetta Sings Dylan, RCA, 1965.
- At Carnegie Hall, Vanguard, 1967.
- Odetta Sings the Blues, Riverside, 1968.
- Movin It On, Rose Quartz, 1987.
- Blues Everywhere I Go, M.C., 1999.
- Looking for a Home, M.C., 2002.
- Women In Emotion, M.C., 2002.
Books
- Walters, Neal and Brian Mansfield, Music Hound Folk, Visible Ink, 1998, pp. 603, 604.
- Hartford Courant, July 4, 2002, p.
D1.
- All Music Guide, http://www.allmusic.
com (September 1, 2002).
- BBC, http://www.bbc.
co.uk/ (September 1, 2002).
- Biography Resource Center, Gale, 2002, http://www.
galenet.com/servlet/BioRC.
- Additional information for this profile was obtained from the liner noted of Livin with the Blues, Vanguard, 2000; a National Public Radiointerview on February 13, 2000; and the liner notes of Tradition Masters, Tradition, 2002.
She was born in , grew up in , and studied music at . Having training from the age of 13, her first professional experience was in in 1944, as an ensemble member for four years with the Hollywood Turnabout Puppet Theatre, working alongside ; she later joined the national touring company of the musical in 1949.
in 1954, for .
A solo career followed, with Folk Songs was one of 1963's best-selling folk albums.
Changing her musical direction, Odetta used rather than playing alone, and released music of a more " " and Christmas Spirituals, both in 1987.
She continues to tour and record, having released a new album, (dedicated to , although only in the record's name, not its music), which was recorded live in 1998.
Several new solo releases on M.C. Records followed, including Looking for a On September 29, 1999, President presented Odetta with the ' Medal of the Arts.
, the subject of the documentary. The film contains an archive clip of Odetta In 2005, Odetta opened shows for jazz vocalist , and in 2006 she toured the , , and , accompanied on piano by Seth Farber.
...
[That album was] just something vital and personal. I learned all the songs on that record. It was her first and the songs were- In 1965, Odetta recorded an album of Dylan covers, .
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Track:" /Narration" (with co. and )
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