Rap insider Chuck Creekmur, who runs the leading Web site Allhiphop.com, says he got a message from a friend recently "asking me to hook her up with some Red Hot Chili Peppers because she said she's through with rap. A lot of people are sick of rap .
.. the negativity is just over the top now.
" The rapper Nas challenged the condition of the art form when he titled his latest album "Hip-Hop is Dead." It's at least ailing, according to recent statistics: Though music sales are down overall, rap sales slid 21 percent from 2005 to 2006, and for the first time in 12 years no rap album was among the top 10 sellers of the year. A recent study by the Black Youth Project showed a majority of youth think rap has too many violent images.
In a poll of black Americans by The Associated Press and AOL-Black Voices last year, 50 percent of respondents said hip-hop was a negative force in American society. "Even the news journalists know the world is built on sex, scandals and money," says Jones, 21. "That's what America wants.
...
Even the politicians running for president, they just blast out the negative stuff about people. It's never positive." Ultimately, rap is just entertainment, Jones says, and he doesn't buy the idea that music influences people to commit violent acts.
Stockwell says he does believe there's an over-saturation of ghetto-wannabes on store shelves, however, and he thinks that's what's contributing to declining sales. "Too many people are trying too hard because they know that's what sells," says Stockwell, 24. ".
.. People are catching on, like, 'Man, what this guy is saying isn't how it really goes down.
'" Nicole Duncan-Smith grew up on rap, worked in the rap industry for years and is married to a hip-hop producer. She still listens to rap, but says it no longer speaks to or for her. "I'm not removed from it, but I can't really tell the difference between Young Jeezy and Yung Joc.
It's the same dumb stuff to me," says Duncan-Smith, 33. "I can't listen to that nonsense ..
. I can't listen to another black man talk about you don't come to the 'hood anymore and ghetto revivals ..
. I'm from the 'hood. How can you tell me you want to revive it?
How about you want to change it? Rejuvenate it?" Hip-hop also seems to be increasingly blamed for a variety of social ills.
Studies have attempted to link it to everything from teen drug use to increased sexual activity among young girls. While rap has been in essence pop music for years, and most rap consumers are white, some worry that the black community is suffering from hip-hop from the way America perceives blacks to the attitudes and images being adopted by black youth. But the rapper David Banner derides the growing criticism as blacks joining America's attack on young black men who are only reflecting the crushing problems within their communities.
Besides, he says, that's the kind of music America wants to hear. "Look at the music that gets us popular 'Like a Pimp,' 'Dope Boy Fresh,"' he says, naming two of his hits. "What makes it so difficult is to know that we need to be doing other things.
But the truth is, at least us talking about what we're talking about, we can bring certain things to the light," he says. "They want (black artists) to shuck and jive, but they don't want us to tell the real story because they're connected to it." Criticism of hip-hop is certainly nothing new it's as much a part of the culture as the beats and rhymes.
Among the early accusations were that rap wasn't true music, its lyrics were too raw, its street message too polarizing. But they rarely came from the youthful audience itself, which was enraptured with a genre that defined them as none other could. "As people within the hip-hop generation get older, I think the criticism is increasing," says author Bakari Kitwana, who is currently part of a lecture tour titled "Does Hip-Hop Hate Women?
" "There was more of a tendency when we were younger to be more defensive of it," he adds. Creekmur says music labels have overfed the public on gangsta rap, obscuring artists who represent more positive and varied aspects of black life, like Talib Kweli, Common and Lupe Fiasco. "It boils down to a complete lack of balance, and whenever there's a complete lack of balance people are going to reject it, whether it's positive or negative," Creekmur says.
Yet Banner says there's a reason why acts like KRS-One and Public Enemy don't sell anymore. He recalled that even his own fans rebuffed positive songs he made like "Cadillac on 22s," about staying away from street life in favor of songs like "Like a Pimp.
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