There are two or three reporters at the St. Petersburg Times who absolutely hate Taylor Hicks with the passion of a thousand burning suns. So the Times, because it cares about its credibility (I d assume; it could have been because the others walked out in protest) sent its only neutral reviewer a guy who d never really heard Hicks sing before to last night s show.
Aaaaaaand? .
He strapped on a guitar (he wasn t terrible) for about a third of the set and played his own songs Hell of a Day and The Deal.
You could tell he was having more fun playing his own material. Indeed, Hicks was at his best when he felt free enough to let his salt and pepper shake, and produce enough facial contortions to spook Joe Cocker. His goofy signature dance move - I call it the Jive-Walking Hunchback - is just dorky enough to make you grin If Hicks wants to blossom, he might do well to let loose a little more often.
He s not a bad showman, but he s a surprisingly solid musician. There s no shame in being a modern standard-bearer for the white-bread blues; just ask Huey Lewis or Michael McDonald. Indeed, Hicks finest moment was the closing song that s become his anthem, McDonald s Takin It to the Streets.
It was energetic, even dynamic, and Hicks harmonica work - outstanding, by the way - was really fun. The crowd loved it all. Me, I could have used more of the bluesy stuff.
But his career will be fine either way. The Soul Patrol will see to that.
I could use more bluesy stuff, too.
Ahh, maybe next time.
So were you wondering last night how it was that de facto Season Five winner (as far as TPTB are concerned) Chris Daughtry had his song Home selected to replace Bad Day? According to , it wasn t part of an evil plot to erase all memory of Taylor Hicks from the collective Idol consciousness:
Unfortunately for the Idol producers, Powter was signed to Warner Bros.
As a result, his record label reaped big coin, while the Idol camp got bubkas. It s no surprise, then, that this year s exit song comes from Daughtry, a band fronted by 2006 American Idol contender Chris Daughtry and signed to RCA/19, the official Idol record label. But Iain Pirie, head of 19 Entertainment U.
S., said the song s selection wasn t a matter of keeping things all in the family. Back in October, Pirie had a meeting with Idol exec producer and 19 exec Nigel Lythgoe.
Given Lythgoe s role in helping launch Daughtry, Pirie figured he d want to hear some tracks from the group s upcoming album. I brought a rough version of Home and played it for Nigel. He called up Simon Fuller right away, and they both agreed right away that the song had the sentiment to be the perfect Idol exit song, Pirie told Daily Variety.
It seemed to fit perfectly. Some of these articles come courtesy of the inimitable lisab over at MJ s. Thanks!
So I m feeling better this morning, which is good. But I m still going to take it easy. Just cause.
Hunt comes from a family of artists and musicians, and she’s performed self-composed vocal and piano pieces locally at various establishments, including the Norris Cultural Arts Center. Hunt is a fan of artists such as Bjork, Nina Simone and Fiona Apple, who have made a living on the outskirts of the pop mainstream. And she has always been determined to become known for her own material — not for rehashing someone else’s songs.
An admirable and laudable goal, but I don t see it completely happening if she wins the whole shebang. She may be one of the contestants who benefits from going out third or fourth and signing indie. We ll just have to see.
Oh, and here s what one of Leslie s former employers had to say about her voice:
Leslie’s voice is like velvet, while everybody else paints in Technicolor.
That s very cool. And true, from what I ve heard so far.
A lot of the girls just seem so interchangable this year.
Here s a about Nicole Tranquillo. She sings in a group called Soul School at U of Arts, and her parents encouraged her to try out for Idol.
She never got to sing in New York, because police cut off the lines, so she went to Memphis instead. I haven t heard a lot of her, but the buzz is that she s a very talented girl.
Contender Rudy Cardenas plans to with a little rock (more Journey), then move to some Latin-tinged performances if he advances.
That could be cool and different the closest this show has ever come to Latin is Gloria Estefan night and Shakira, singing in English, belly-dancing with Wyclef Jean. But Rudy, just remember singing Ricky Martin doesn t count.
Nicholas Pedro, who bowed out of the competition last year, he ever made that decision.
He also enjoys the nickname Boston Nick. Oh no.
And finally, read more about Lakisha Jones and how she dedicated one of her performances to her daughter, Brionne, .
Hey, remember that Chris Daughtry article I linked to yesterday? I missed one very interesting quote in it, and it comes from everyone s favorite Dark Sith, Clive Davis. Says Clive:
He was the first Idol that I d ever met who had material that he had written That was compelling.
Umm no, actually. Bo Bice had plenty of original music up his sleeve, too. But whatever, Clive.
Whatever.
Katharine McPhee got another craptastic review today. From the :
McPhee’s self-titled disc is full of bad generic knockoffs inspired by established artists, including Beyoncé, Britney Spears, Christina Aguilera, Mariah Carey, Gwen Stefani and even the Pussycat Dolls.
It’s hard to catch McPheever when McPhee doesn’t even break a sweat. Instead, anyone with a smidgen of musical taste might have an allergic reaction listening to this disc While you’re at it, how about standing up being your own person, not a cookie cutout of Beyoncé, Britney, Christina, Gwen or Mariah? (two out of four stars)
To be fair, the reviewer does seem impressed with the work she does on the ballads, so check out the full review if you get a chance.
I have the flu. Probably divine retribution for all my snarking. Because God only likes good people.
So we ve got a barrage of interviews and news articles to round up here. Let s begin with a nice big piece on Chris Daughtry. EW describes how Daughtry, who was playing an afternoon set at a children s hospital, cancelled a Q A conference, calls a collection of photos from his Idol days cheesy, and just generally is sick and tired of being associated with the show that is single-handedly responsible for his fame:
When a hospital administrator introduces him as Chris from American Idol, the tightly wound singer snaps.
He turns discreetly to a member of his entourage and whispers, Are they even going to mention the album? Are they even going to talk about the band? It s just Idol, saying the last word with special disdain.
You know what d be really cool? Like, if three weeks from now, the New York Post picks up on this story and runs its own piece, perhaps with a headline like CHRIS DAUGHTRY: DON T MENTION MY NAME AND IDOL IN THE SAME SENTENCE. Then Chris can spend the next few weeks issuing press releases and going on talk shows to explain how his statements were taken out of context and how he s truly very grateful to Idol.
I think that would be pretty cool.
Oh, and the audience at a typical DAUGHTRY!!
1111!! show?
Not quite the hardcore rawker set you might be imagining:
A sold-out midweek show at Los Angeles El Rey is filled with moms in bedazzled peasant shirts and clumps of kids sipping Shirley Temples. When the compact, muscular singer bounds on stage wearing his standard uniform — dark T-shirt, flared jeans, and wallet chain — the room erupts in shrieks. A woman screams repeatedly, You re so hot, Chris!
Bedazzled? HA! Sounds like the Soul Patrol and the Chrisaholics are probably members of the same PTA.
The Krewe of Endymion, one of Carnival s best known groups, was set to make its annual march through the city streets today, with American Idol winner Taylor Hicks leading it. Hicks was given a standing ovation when he appeared at a Bourbon Street restaurant Friday, as elated diners waved their napkins to a brass band s beat. It s amazing to me what a difference a year makes, said the 30-year-old singer, who was expected to perform with Al Green and Journey at Endymion s ball tonight.
Parade, schmarade! What I want to know is, did Randy Jackson play bass? Get your priorities straight, L.
A. Times!
Katharine McPhee, last seen shilling for Gillette razors (hey, a gal s gotta make a living), has some harsh words for shock jock (not potential Anna Nicole baby daddy) Howard Stern.
And I have to say I back her 100% on this. Apparently, Katharine was invited to appear on Stern s show. Here s her response:
Howard Stern is a pig.
I would never do his show. Why would I do a show that degrades women the way Howard does? No thank you.
Good for you, Kat. Just promise me that no matter what direction your career takes or how successful you are, you ll stick to your guns about this.
And finally, want to know some more about your new Top 24?
Some local news outlets have published interviews with their home contestants. Get the scoop on Chicagoans , as well as U of Arts student . Oh, and for those of you who (like me) mourn the premature exit of the sensational Tami Gosnell, you can check out some of her original music .
Before making a series of predictions that, two months down the road, will probably serve as nothing more than evidence of my stupidity (and a strong suggestion that I should never, ever set foot in an OTB), should we first talk about the latest ridiculous piece of gossip to hit the net? Yeah, we might as well. Star Magazine, that ballast of integrity, is reporting that Taylor Hicks is a cursin , temper tantrum-throwin , hissy-fit havin , nose-in-the-air, cold, impersonable .
Says an insider, Taylor didn t want a bodyguard accompanying him to the bathroom (egads! Stone him, I say!) and didn t want to be in the show once he made the Top 8 anymore (which I guess is why he kept on turning in those high-energy, crowd-pleasing performances).
Also ridiculous is the claim that all the male contestants became friends except Hicks. Which is why Elliott Yamin and Ace Young (not to mention Paris Bennett) showed up at the finale waving sticks with a big ol photo attached to them cause, you know, he was a dick. It s also why Elliott, Ace, Bucky Covington and Chris Daughtry jammed with Taylor and LiMBO after all those American Idol concerts cause Taylor is a jackass.
This is the second patently false story to be created about Taylor (the first being the massacring of his Relix magazine quotes in order to spin him into an ungrateful little bitch). Coupled with the fact that the last few episodes of Idol have deftly avoided mentioning the fact that he actually has a CD out, I m beginning to suspect that there is an effort well, not necessarily to sabotage Taylor, but at the very least, to get the hell away from American Idol, so that DAUGHTRY11!!
!1 and Katharine McPhee (who, interestingly enough and despite all her promo, has only sold about 163,000 copies of her album) can reign supreme as default co-winners. I say, run, Taylor.
Run as far away as you can from Idol. Build a career based upon respect and talent from indie greats in the music industry, instead of based on the fleeting love of Extra! and People Magazine.
Anywhoo. So we ve got a Top 24, ladies and gents, and I m gonna make some calls. Who s Top 12-bound?
Who s cannon fodder? Who could sneak out of the shadows a la Elliott and turn out to be a major force to be reckoned with in the months ahead? Here are my predictions.
(And no, I could not fit ALL their pictures here.)
Like, so obviously Top 12: Well, let s start with two of the most obvious: Blake Lewis and Chris Sligh. Blake s got some mad skillz, there s no doubting that.
The boy is extremely talented. But does he sing as well as he beat-boxes? I don t think it matters at this stage in the game.
He s got a scarily huge fanbase over at the teen-dream headquarters that are . He s got frosted, gimmicky hair. And he s received MAJOR pimping.
He s in.
Same goes for Sligh, who s probably the most savvy contestant this show s ever seen, and from what I ve read of his blogs, just generally an awesome person all around. Sligh knows that half the battle on this show is winning them over with your personality, and he s milking that for all it s worth.
I don t feel like I ve gotten to see enough of his actual performing, but I m looking forward to it. He s a lock for the Top 12, but at some point in time, his vocals will have to trump his sense of humor, lest he avoid becoming this season s Pickler.
Also a lock, I think, is Gina Glocksen.
She s received the biggest push out of all of the women, and she seems to have a fairly decent-sized fanbase. The one thing that could hurt her? She comes off as a rocker chick, but word on the street is that she ll be focusing more on pop music in the competition.
If the audience feels duped, they may not respond with votes.
I m also gonna go out on a limb and say that Sundance Head will be making the Top 12. I think he s got a decent base, even though they lay low.
And it s possible that people may remember his initial audition and be willing to forgive his missteps in Hollywood. But I also think that there s more to Sundance than we ve been show, and I have a feeling that he pulled out all the stops for his final a cappella performance in Hollywood. The viewing audience wasn t treated to it, leaving the audience with the impression that he just flat-out sucks and was inexplicably put through.
But I m not sure just how low Idol would stoop in putting through a singer who bombed on everything in Hollywood, so I m going to predict that he ll come out swinging in the semi-finals and earn his way into the Top 12.
We ll also be seeing sweet, quiet Melinda Doolittle in the finals, mark my words. Even if she stumbles in the semi-finals, or turns in subpar performances, I expect the judges to coddle her with that wasn t your best performance, but you ll sail through sentiments.
Personality might be a problems after that, though; she ll have to inspire people to care about her.
Brandon Rogers and his mega-watt smile are going through to the Top 12. He s got the squee!
factor, and while I find his vocals a bit nondescript at this point, a lot of people really like him, and I think, so does the show. I ll be shocked if he doesn t make the Top 12.
I also expect Jordin Sparks to make it.
She s incredibly talented, but even if she doesn t live up to it in the semi-finals, she ll go through, because America likes putting through cute talented teenagers, and Simon enjoys screwing with them once they make the Top 12 telling them to sing songs more their age, but then berating them for being bland when they do. Ahh, it s a sport, I tell you. Comparisons between Jordin and Lisa Tucker have already been drawn, and not just because are both young with curly hair and cocoa skin, either.
Lisa had a penchant for picking songs that aged her about fifty years (though it never bothered me, personally) and falling flat when she tried bouncier numbers; the same may happen to Jordin.
Obviously cannon fodder: I think it s pretty clear that Simon built up Alaina Alexander for the sheer pleasure of tearing her down later. This very pretty girl simply cannot sing very well.
She s off-pitch, affected and is always gasping for air. Expect lots of tears when her dreams are crushed and she s forced to go get that college degree after all.
Nicole Tranquillo.
All together now: Who? Unless she really comes out fighting, she s toast. Remember Heather Cox last year?
Girlfriend never had a chance. Neither did Melissa McGhee, who managed to sneak into the Final 12 (and to not last long), because I think there was voter backlash against Simon for reaming Melissa (who gave a great performance) and for coddling Ayla Brown, who was meh. Anyway, Nicole doesn t have the benefit of well, anyone knowing who the hell she is, so I don t see her going very far.
The same goes for unknown Amy Krebs, who, despite being toothy and cute-as-a-button, seems like filler. It s possible that she might make it, but no way in hell will both she and Nicole make the Top 12.
I fear for adorable Sanjaya Malakar.
I ve yet to be blown away by him, and I know that American Idol loves to be able to cut down a couple of teenagers during the semi-finals. I see it happening with him, unless of course he becomes a Covais-like sensation. He needs to step it up if he wants to make the Top 12, but at this point, it s not looking good.
I m also getting a strong filler vibe from Nick Pedro, although I can t really put my finger on why, exactly. Maybe because he reminds me of Judd Harris? Hey, I didn t say I had an accurate or logical prediction method, now did I?
And Sabrina Sloan? Sabrina who? She s out, no matter how talented she is.
Haley Scarnato has got to go. She wasn t all that during her audition, and she was even worse during Hollywood. I m not sure what they re seeing in her, other than that she s someone to focus the negative energy on early in the competition.
Middle of the pack: Jared J.L. Cotter, A.
J. Tablado, Lakeesha Jones, Phil Stacey, Chris Richardson, and Paul Kim all have potential, whether it s singing, personality, or squee-wise.
Possible dark horses: Rudy Cardenas has annoying boy-band vocals, and I stil haven t forgiven him for the way he massacred Georgia during his a cappella performance, but he made the Top 24 regardless.
He may have potential. By no means do I think he is a lock for the Top 12, but I won t be surprised at all if he makes it.
Antonella Barba has also gotten her fair share of airtime, but more for her squabbling with her groupmates than for her actual singing.
And from what I ve heard, I think she s got a good voice, but not a great voice. The tweens love her (becuz omg shez so pretty!!
11111!), and she may make the Top 12, but I don t see her as unique or talented enough to pull off a victory. In fact, it seems like most of the girls are pretty interchangable vocally this year.
It s weird.
Stephanie Edwards was unseen and unheard before last night. She sounded good in the tiny little clip we were showed, and she has the potential to sneak in a la Latoya and pull out a show-stopping performance.
With her short, highlighted hair, she also has a distinctive look, and runs less of a risk of getting lost in the shuffle of blandly pretty girls like Alaina, Antonella, Amy and Nicole.
A definite dark horse candidate and my current favorite is the wonderful Leslie Hunt. She s already got points in her favor for memorability a distinctive look, a distinctive voice and impeccable taste in music (which will hopefully translate into impeccable song choices).
Girlfriend loves her some Nina Simone, which means I loves me some Leslie. This was also the girl featured in the original Is she the ONE??
???
?? promo spots for Idol, and yes, she can sing.
Yaaaaay! The chair. Who goes?
Who stays? Who showboats their way down the Green Mile?
Roll credits.
Is Taylor still there, or has he quietly been edged out by DAUGHTRY!!111?
Nope, looks like he s still there. But it s only a matter of time.
We ll do it the short way.
Your Top 24: Sanjaya Malakar, who sashays down the hallway. Obviously the kid has talent, but I wasn t blown away by his final performance, and I think they re putting him through as pure canon fodder. I hope I m wrong about that, because he seems really sweet.
Fabulous Melinda Doolittle, although her final performance displays a potential problem with nervous, goat-y vibrato. Her new shag haircut is adorable, though. Snoozy Brandon Rogers.
Gina Glocksen, despite the fact that she never seemed to rise above her back-up singers during her final performance. Haley Scarnato, another travesty, since her final performance is woefully off-pitch. Phil Stacey, who despite not impressing me during his audition, impresses the hell out of me now.
Chris Sligh, who is still just a gimmicky personality for me right now. Taylor managed to rise above his shtick with his gorgeous vocals; I m not so sure Sligh can do the same. Stupid fucking Blake Lewis, who still looks like an Ecstasy addict.
Potential Lisa Tucker 2.0 Jordin Sparks. Paul Kim, whose stupid claim to fame is that he shall be barefoot from here on out.
They really are scraping the bottom of the barrell for gimmicks this year, aren t they? Anyway. Blue-eyeshadowed Stephanie Edwards.
Quirky Leslie Hunt and her , and her awesome strawberry-blonde highlights. She could be an early favorite. Nick Pedro.
Alaina God forbid I go to COLLEGE and get a JOB Alexander, in another tragedy, namely because her final performance was gaspier than a fish flopping on the countertop. Chris You mean I m NOT Justin Timberlake? Richardson.
Belter Lakeesha Jones displays more subtlety and nuance this time around. She could win me over yet, although she definitely needs to go bra-shopping. Nicole Tranquillo, who has a nice, if a little nondescript.
Jared Cotter. Amy Krebs, who I kind of like, despite her blindingly white teeth.
Future Trivial Pursuit questions: Tall Anna Kearns, who debuts a strange, puffy little pompadour.
Poker-faced Bernard Williams. Eric Justin Davis, who apparently had the backstory to end all backstories (having spent five years in prison before becoming a Christian youth pastor). Tami Gosnell, in the first of many terrible injustices of the night.
Jimmy Little Ruben McNeal and Errick Johnson. Gorgeous, ridiculously talented, Harvard-educated Thomas Lowe, in another injustice. Someone named Olivia Quibert-Hurst.
Cute Tatianna McConnico. Monique Vieras. Jerome Chism.
Joelle James, done in either by her unheard vocals or her strange Dolly Parton-meets-Rose Marie hairdo. Exotic-looking Princess Johnson. BUCKSTEIN!
.
SHOWDOWN!: For the girls, it comes down to Marisa Love me for my voice, not my body Rhodes (her provocative photos have since been taken down) and Antonella Barba.
They fake-wish each other good luck in the elevator, which is fucking hysterical. Marisa has the far superior voice, but inexplicably, Antonella makes the Top 24. Marisa kind of freaks out about it.
For the boys, Tommy Daniels and his over-gelled fro take on Sundance Head Easy call, right? You d think so, since Sundance didn t do well in the first two rounds of Hollywood. But we don t really know, since none of Tommy s mad Hollywood skillz were never displayed.
Then again, neither was Sundance s final performance, which could have been either a masterpiece or an epic tragedy. Anyway, Sundance is through, leaving Tommy all the more available to flick off the cameras and to make his future court dates.
So who are my picks so far?
I haven t given up on Sundance yet, although I m not particularly loyal to him if he s not up to par. Same goes for Leslie Hunt. I could also see myself warming up to Lakeesha and Melinda.
But we shall see
Why is it that after every viewing of American Idol, I immediately get a craving for peanut butter? Is it because of that banana guy? Eh.
Hollywood, bitches!
I have to start off with this. What the hell did Taylor Hicks do to piss off the producers of this show so much?
(Besides actually winning, I mean.) Katharine s crotch shot of an album cover is all up in my face at the top of the Family Viewing Hour, DAUGHTRY!!
1111! gets like eight hundred years of pimping as the Savior of Music, and Taylor? Just some crazy gray-haired dude who happened to wander onstage during the finale last year and get caught up in some confetti, I guess.
Oh well. At least Taylor can probably count on the Soul Patrol to carry him through a long and solid (if not particularly glittery) musical career, instead of coasting solely on media hype, only to flame out spectacularly.
Round one.
The girls start us off. Jory Steinberg somehow managed to both pack and wear the exact same outfit as Paula Abdul, which is creepy. Oh, and her singing isn t really all that great it s affected, and there s just no uniqueness to her voice at all.
She gets cut, and sashays down the hallway, all I thought it was good. Well, I thought it sucked, as did the judges. Also?
Girlfriend s got one long face.
Stupid obnoxious Perla cootchie-cootchies her way through Hips Don t Lie, which is apparently the only song she knows. (Cute skirt, though.
) Simon puts her through, but tells her that she s more personality than talent at this point. She s understandably upset about this, and whines that she can t stop being herself. No one asked her to stop being herself, but she needs to have the pipes to back it up.
And she just doesn t. Baylie Brown (whose website has been taken down, but if you Google her name, you ll see the cached remnants that describe the supposed desperate-to-get-off-the-farm girl as a seasoned professional ) speak-sings her way through a song, and gets through on her blonde hair, I guess. Also going through: Gina Glocksen, Jamie Lynn Kellie Pickler Who?
Ward, and Melinda Doolittle. Not so lucky: Army gal Rachel Jenkins, who gets cut after a lackluster performance; Ashlynn Pour Some Sugar on Me Carr, whose bitchface upon getting cut is priceless; rough-and-tumble Porcelana Patino, and daddy-doesn t-love-me Sarah Burgess.
The men.
Second-timer Bryan Miller sticks to his audition song, and it s much nicer this time. Reagan Idol Jarrod Fowler sings Josh Groban boringly, and gets cut. Matt Sato and his beautiful eyebrows boyband their way through to the next round, as does Chris Sligh, who doesn t get a whole lot of pimping this episode.
Methinks TPTB have caught wind of the Soul Patrol-like gravy train that is the Sligh Phenomenon, and are going to do their damndest to stall his advancement at every turn (or at least they ll step in once the possibility of his win starts to outweigh his entertainment value, because you know the last thing they want is another Taylor.) Also making the first cut: Brandon Rogers, Nick Pedro, Sean Michel, Phil Stacey, and stupid beatboxing Blake Lewis, who eventually WILL have to sing a song during this competition, unless the judges decided to allow him to beatbox his way through Diane Warren night. Sundance Head sings way too high up in his range, and displays none of the bluesiness or grit that made him my early favorite.
He gets through on Paula s generosity, apparently.
Round two. Group-hunting proves difficult for Matt Sato.
Matthew BUCKSTEIN! joins a harmony-less trio, while for-now pimpees Chris Sligh, Rudy Cardenas, Tom Lowe and Blake Lewis , who still looks like he should be popping E at a rave, immediately hook up and later deliver a kick-ass performance (made all the more kickass, admittedly, by the beatboxing, although I still want to see him get off the crutch).
Perla can t harmonize (and looks and dances like she s being Tasered), and she s out.
Baylie totally blanks out on her words, and she s gone. And God doesn t like her, according to Amanda Coluccio. Sundance Head doesn t do so hot, but lives to see another day.
It also seems as though Sean Fidel bin Jesus Michel didn t make it.
Final cut. Through to Hollywood are Melinda, Blake, Sligh, Gina, Tom, BUCKSTEIN!
, and Sundance, as well as Sanjaya Malakar, Marisa Rhodes, Haley Scarnato, Leslie Hunt, Tommy Daniels, Jordin Sparks, Tami Gosnell, Anna Kearns and Paul Kim. Not making it are Shyamali Malakar (who, sobbing, is consoled by her equally devastated brother), Jamie Lynn, and Bryan Miller.
Some of you out there are buying Chris Daughtry albums, and you need to stop it.
I wrote the whole album in a couple of weeks. When I was on the [American Idols Live] tour this past summer, every day off I was in the hotel room writing If we were in Fort Lauderdale, everyone else would be at the beach, on boats, enjoying life, and I d be in a hotel room with Brent Smith from Shinedown, writing until 4 in the morning. I knew that it had to be done, and so my work ethic just kicked in.
It s not all fun and games — there s actual work involved and lots of sacrifice — but it definitely was worth it. Because now I can buy that beach.
Oy.
They really make it easy, don t they?
AOL Taylor Hicks, who says that he doesn t think he ll ever hear the end of it from Simon. No probably not.
He also describes his recent success as cool and talks about collaborating with local talent on tour.
And finally, a fairly even-handed review of Katharine s album from . Strangely, SFGate, which usually issues its own reviews, is carrying it.
I guess it was the only way they could stop Aidin Vaziri from writing a gushing, fawning omg kat iz so hawt!!!
11one! piece:
Her producers and handlers meticulously calculated everything on this disc to appeal to the widest possible range of listeners and broadcast formats, from hip-hop to pop to R B to adult contemporary (I kept waiting for heavy metal and polka tracks to surface, just to cover every possible combination). Sometimes it works, like on the opening track, Love Story And sometimes it doesn t, like on Open Toes, a hip-hop ode to shoe shopping where she sounds quite out of her element.
Do What You Do has somewhat more street credibility, fitting in easily on urban stations or BET. But it s on the power ballads Home and Ordinary World that McPhee shows she really can sing, with a voice that is at once sultry and breathy in the lower registers, and strong when it needs to be in the higher ranges. These two tracks, destined for dentist offices and supermarkets around the world, will remind listeners why they voted for her in the first place.
Billboard Magazine will be doing a feature on Katharine McPhee in the next coming weeks, but for now, you can read this . It s fairly non-controversial, but I do have a hard time believing that Katharine really thinks that 22-year-olds around the nation have cluttered their iPod with Timberlake, Fergie, Christina and Nelly Furtado. I m not much older than Kat, as are my friends, and oh sure, we might have one or two songs by these aforementioned artists on our playlists but most of us are into blues, metal, punk, folk, electric rock, Southern rock, or, regrettably, emo.
I don t really think Katharine is that out of touch with her own generation, so I m going to assume that RCA is kind of putting words in her mouth here because I don t know any 22-year-old who, after experiencing the tumult of love and loss, is gonna run to get healed by Kat s Over It. (Well okay, I do have ONE friend whose CD collection is straight off the ClearChannel programming playlist. But just one.
) I do know a couple of eighth-graders who might, though. (And that s just fine but let s be honest about it!) Also, McPhee s producer is busy getting together a live band for her television promo appearances this month.
This should be interesting since so much of her music is synthesized.
Billboard, like many other publications, is also running a feature marvelling at American Idol has become. Old news is discussed, most notably the new songwriting competition, which viewers will be able to vote on through the show s website (so what happens if viewers vote through a horrible, horrible song like My Destiny that NO ONE could be able to sing correctly?
). Also, be on the lookout for rawkers and quirky singers in the vein of Taylor Hicks and Elliott Yamin (Elliott was quirky?) during the auditions.
Oh, joy. Copycats. And naturally, the show s creators tap-dance around their much-touted surprise that will blow everyone away :
And look for what Warwick describes as an absolute mega-night when the show trims the number of finalists to six contestants.
We re a bit concerned at the moment that it will overshadow the final, he says.
Overshadow the finale, hmm? Seems to me that it s a guest performer he s hinting at.
On with more gossipy news, the New York Post (a publication not known for its fact-checking; see the Taylor Hicks Relix controversy) supposedly interviewed ten different past Idol contestants to get the scoop on what life was . And as you might have imagined, it was pretty boring (or at least that s what the contestants want you to believe). Jessica Sierra and Nadia Turner would have a glass of wine and watch TV!
Josh Gracin and Paris Bennett s mom cooked for everyone! Scott Savol took Anthony Fedorov to Hooters ! And Katharine McPhee snuck out of the compound to spend the night (or just visit?
Thanks for pointing it out, Winnie, but I think the context is a little unclear) with her boyfriend (dangerous!). Not that it s an egregious offense many contestants complained about the harsh restrictions but McPhee s dalliances and disregard for the rules must have come as quite a kick in the nuts to those contestants who were stuck in the apartment because they didn t have anywhere to sneak to.
Hmm. Hey, remember that time that Kat s mother reportedly threatened to pull her out of the competition if she wasn t allowed home visits? (EDIT it s been brought to my attention that this was merely an unconfirmed rumor, so I m deleting it.
) Remember when Nigel Lythgoe commented that Katharine was Katharine tells the Post that no one ever knew that she snuck out, but I m willing to bet that they did, and they let her, because they didn t want to deal with her having a nervous breakdown on their hands. (That would be bad for business.)
And last but not least, contrary to popular (including my own) belief, Taylor, Katharine and Chris aren t the only season five Idols to be putting out music these days. Paris Bennett will be releasing a single this Tuesday called .
I guess the song s okay, but what s going on with female Idol contestants in the recording studio these days? Taylor and Chris both sounded great, but Kat s sounding tinny and child-like on her songs, and Paris is sounding just bad. I don t even think she s singing her way through this song; it s more like she s shouting her notes.
Then again, she was always a bit strident when tackling upper-range material; her best performances were when she stayed in her smokey lower range (like These Foolish Things ). She s got another song, too, called Hold Up. It s more of a rap, and it s hilarious, because while the backbeat is actually very hardcore, but the song itself is just really bad.
Not only is the rhythm off, but singing I ain t cereal/you can t milk me? Umm go back to jazz, Paris. We liked you there.
While his voice is missing the gruffness (well, its kind of there on American Friday Night ) that I really came to love on Idol (strangely, I think his best performance on the entire show was the little snippet he sang on Taking Care of Business during the finale), he undeniably sounds fantastic here.
"Sundance got lots of airtime, but he's getting the Savol Edit which is the opposite of pimping. The whole artificial Tommy vs Sundance setup is a prime example- as though the judges went through all 40 contestants and the absolute last undecided slot for the guys came down to Tommy and Sundance, and they just *had* to choose between them.
It's " "What in the world is this girl [Leslie] doing on AI? She should have already had a record deal somewhere. Love her voice!
To me she is like a and my love for Lisa knows no bounds. Leslie is the only contestant I give a crap about this season so far and that means that she'll be out before the top 12." "I'm kind of on the fence with Chris.
I like his personality, but it might wear on me after a while, especially if the judges laugh at his jokes. From what I've heard so far, I don't think his voice is particularly special, but . Also, he has a more interesting range of musical tastes than most of this year's contestants (looks like it's going to be R B week every week, regardless of the actual genre, so Chris might bring a welcome change of pace).
" "I'm not that impressed with [Antonella's] singing. When her voice sounded nice, I thought her diction was poor, eg. in her group performance.
Although she was the best of the three of them, that was in comparison to Baylie, who was a trainwreck, and Amanda, who was Not Good. She was in The Chair episode." "With the success of people like Justin Timberlake, it wouldn't surprise me at all if this year turns out to be Blake Lewis.
There's a lot of money to be earned for TPTB if an actual "pop" performer wins this time.
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