Within the niche that Goa trance is Koxbox early on managed to create their own niche. Literally within seconds any learned listener can detect Forever After or Dragon Tales from the crowd – how many acts can you say that about? So how does Koxbox fare in 2006 with a sound much more reminiscent of other contemporary acts.
Still like an act with a statement! True, Koxbox has embraced the full-on sound and in a sense become a follower rather than a leader, but if you’re worried that means Koxbox has abandoned offering something for the mind, you can rest assured that Koxbox is still ahead of the crowd. This is dance music, no doubt, but very intelligent so and packed with enough details and ideas to make this equally enjoyable at home.
The first half of the album could possibly be characterized as intelligent full-on while the latter sticks to a more aggressive techno-true sound. With tracks 6 and 7 This Can’t Be Real and Acid Drome being the masterpieces here. I dare any dance floor not to move to this!
And any psychohead not to start packing and enter spaceship psychedelia. Comparisons with Forever After and Dragon Tales are probably just as unavoidable as they are superfluous. Koxbox has long since turned a corner and even if their distinct characteristica is not as present as it used to be, Koxbox is still an act to watch out for.
As I heard it stated somewhere: The ol’ man’s still showing the youngsters how it’s done +_+ Three years ago Swiss downbeat juggler, DJ and label persona Master Margherita (Moreno Antognini) embarked on a journey to create his debut album. Moreno already has an impressive roster of chill-out projects and other musical explorations under his belt, but in the psytrance scene he is best known as Peak Record’s chill maestro and as a member of the Peaking Goddess Collective… Everything I’ve heard from Moreno has been top drawer downbeat and judging by the very impressive list of guest artists, Mastura looks like a very interesting acquaintance. Let’s find out.
Confined within a framework of electronic downbeat, Master Margherita’s Mastura album is a pretty versatile collection of both dreamy ambient, mellow downbeat, percussion-driven ethno-tribal chill-out and upbeat world music – and everything in between. There are no bad tracks here, but a couple of the tracks seemed a little too bleak for my taste – or at least I have to be in a certain mood to fully appreciate them. But hey, luckily there’s a hand-full of really nice choons here – and a couple of surprises.
Nicey nice. There’s no doubt that Moreno is a very skilled producer and his talent stretches into several genres. The mastering of this album is also spot-on and the artwork by Punkadelik is gorgeous.
Despite all the good things I have to say about this album, it could have used a couple more stand-outs. So in that sense, this is not an essential album. It is however, a quality downbeat album that I’m sure will go down well with hardened chillers and fans of eclectic music in general.
Enjoy. Head straight to the Opaque remix, Seiji's depth of feeling and warm production delivers a neo-soul classic. Using snippets of the vocal and lush rhodes style loops, Mr Dolby offers us a crossover gem thats hidden away on this Ubiquity 12".
Detroit techno, House or Nu-Jazz heads will all love this track, timeless soul grooves from the UK broken beat pioneer, buy on sight! Here we have nothing but an instant classic, something to be called as one of the best jazzfunk records ever made. I'm a longterm fan of mr.
Hancock's compositions and whatever the mood I'm in, this is the one and only record that has an endless returning to my turntable. No record could start off as nicely as in this one, Hang Up Your Hang Ups being one of the best songs ever written. Highly recommended for anyone interested in funk music.
Good album, I love Miles Davis' music and this is no exception. Nice combination of tracks, Oleo, So What and Well You Needn't are probably my favorites. I'd have loved to see "Blue in Green" in there also.
As a side note though, April 22nd 1961 was a Saturday. I'm pretty sure this is In Person, "Saturday" Night..
. The track on the b-side "Odyssee" I like for listening to. This track is more a melodic intro or outro, almost an ambient production.
After that it's a lot like other Philippe Van Mullem productions of that time (which is not a bad thing, mind you). "Odyssee" blows my mind. It is so emotional.
From the jittery strings, to the slithering "build up" melody to the different breakdowns. This is absolutely one of my favorite tracks of all time that has Philippe Van Mullem involved in some way. Oh my god !
"Continental Drift" This song has got a hell of a break ! It begins with some drums and tribals for about 3 minutes, a nice build-up by the way. But then the break comes in, its like an explosion, it blows you away into a trancy trip till the last seconds of this track.
Supermoves is a one rockin' tune !!!
it has been used in many movies and anime ( Snatch , Blade , Animatrix etc. ) and not counting football ads on tv ..
..but it seems very rare to find in the shops on vinyl ; i had found about 5 copies of this in the discount basements in different times and i came to think it was impossible to get this for more than 50 cents!
!! Darn-tootin' how wantlisted this record has become after time.
I searched a while for this gem, hard enough to ask Rune himself if he had a copy to spare himself. Eventually i managed to get a hold of it, and it is Rune's own extended mix that does the job for me. Like many other of Lindbæk's productions, this is spaced out downtempo disco straight out of the milky way and beyond.
Pretty deep with a marvelous brakedown and a great dosh of echo-effects. Prins Thomas does a more party oriented mix but is nowhere near the feeling of Rune's mix. Outstanding scandinavian music!
Simply amazing intimate emotional-Disco piece is 'Femmes Fatales', produced by the talented duo Michael Lewis Laurin Rinder (the same behind El Coco). The tune tells the story of a dangerous romance between a photographer and his lover which tragically resulted in murder, sugesting a kind of a dangerous love triangle (yes, I know you have heard stories like this thousand times before). The way the dialogues are conducted within the music, though, is very original and fascinating.
The full-sensuality mood begins with spicy dialogues on the phone by the couple made by this photographer and the girl in question. All the speaches are in French as part of the atmosphere that also brings an amazing instrumental ensemble made by saxophone solo, guitars, funky bass, violin strings, flute, and a sweet percussion that leads to the next scene which is the couple's erotic meeting in question and their tragic end caused the invasion of the murderer on the room. The seductive atmosphere proceeds with the transmission of what would be a TV journalist announcing the murder.
That's the kind of femme fatale: a deadly lady - not only because she can drive you nuts, but because you'll take deadly risks with her. This is what I mean when I say "Dream Trance". Both tracks are clubby and uplifting.
I find it very hard to choose a favourite from this particular 12". They are both amazingly beautiful. However, I will say that the Original Rise Mix of "Nova" sounds quite familiar.
It's basically Above Beyond's "Alone Tonight" at a slightly higher pitch. So, for originality, I'd probably go for the first track. But I'm gonna go for it anyway because it's just that little bit better, in my honest opinion.
I had no idea what Daniel Kandi sounded like before purchasing this. I am constantly being proved that Anjunabeats never fail to deliver top-quality Trance records. If there is a single Anjuna 12" out there that you think is bad, damn, you'd better talk to me before making such a statement!
This is my newest favourite song! I love both versions of "Aria Epica". Bart Claessen gives the original a more tough edge and it works to an extent, but not so much that it's better than the original!
The original is sublimely beautiful. From start to finish, I love every second of it. It's one of the few tunes that actually should be so long in length (unlike the Ron Van Den Beuken remix of Randy Katana's "In Silence").
If you have to choose between the two, go for the original if you're looking for that dreamy vibe to elevate the crowd. Or, if you're more of a Hard Trancer, pick Bart's remix. "Erotic Discourse" was one of the big hits in 2006.
Everyone played it, from Minimal to Trance and Techno DJs. It's a noisy, cut-up, even sick tune with a distinctively special sound that can't be missed. If you should have just one Planet Dog album, this compilation is it.
Containing some of its most revered artists in some of their best moments, the CD is a highlight from start to finish. The music here is almost exclusively downtempo psybient, an area in which all Planet Dog artists excelled. The mix is so fluid that it's sometimes hard to tell when one tune finishes and another starts.
The production, though coming from the mid-nineties, does not sound dated - at least not to my ears - but timeless. Apart from the musical value, this album works as a perfect introduction to the label for those who would like to get a general idea, although the individual artists' albums off of which the tracks are taken are much more diverse and, in most cases, uptempo than the music here. The psychedelic edge, however is most definately there.
When I put this CD in my stereo system at 10pm, I was captivated by the out-of-this-world rich texture of dark new age ambient music 80s style. I instantly felt like I was flying over Earth, and I pictured all the beautiful landscapes ..
. Next thing I remember is waking up at 6am feeling all fresh and inspired. At many times when you listen to the album you almost feel like having a UFO experience.
This album is not just another noodly new age album. Recommended!!
! I remember when I first heard "Dance Lady" on the radio, its "mysterious" vibe and sensual beat caught me right away. The name St.
Germain was quite "foreign" back then. I have been trying to track it down for years and finally, 14 years later, got a copy, thanks to Discogs. It is indeed a beautiful deep house EP.
It screams "early 90s" but can easily still be played today. "Sexy and smooth" feels like it came straight out of New Jersey. "Funky Attack" and "The first time" are contemporaneous of the house sound of that time: hard and soul.
A must have. Solid techno/house release. All four tracks have character and panache, but maybe mostly "Frozencity" with its slightly melancholic feel and stubborn beat.
Recommended! This was the first bit of Luciano i heard. Immediatly captivated by 'Madre' which was a breath of fresh air and exactly what i was looking for in terms of hearing something i could play at any gig.
Many times Iver played it as my last track. People would always come and ask me what it was. Its a really nice track indeed.
But then, so are the other 3 tracks. On a completely different tip mind you. They move away from the latin influnce of Madre and are lush techno grooves that could go on forever.
One of my favourite Luciano records to date and highly recommended. 'The Beginning' was, unfortunately, the last of the May inovations, but what a track, I honestly don't think any Detroit producer has pushed further since, even after all these years, it kind of marked the end of an era for me, things started getting predicatable after this. People need to appreciate how fucking whacked out that tune was on release, relative to other techno at the time it was from another dimension - a lot guys couldn't even figure out how to get into it from another record, "uhh, exactly where is the downbeat?
" Exhausted from accusations of racism, reportedly, a few years after its release Morrissey revealed that Vauxhill And I was a preface to "leaving the public domain" with Morrissey declaing "I was aware of this end-of-reign atmosphere while recording the album". Well, back against the wall you can count on a Morrissey with something on his mind. And Vauxhall is another high point in the Mozzer's career.
There is quite simply not a single slip here and his lyrics are as present as ever. Arguably, the most obvious radiohits are placed on the first half, but the entire album provides a long voyage in to Morrissey-settling-the-score land. Besides, when Speedway ends the tour with Morrissey pop-rocking "All of the rumours keeping me grounded, I never said that they were completely unfounded .
.. I've always been true to you in my own sick way" Morrissey yet again manages to leave us slightly puzzled and amused at the same time.
Some trivia. The album's title is a play on the title of Bruce Robinson's 1987 film "Withnail And I", in which the character Uncle Monty declares "As a youth, I used to weep in butcher's shops." Perhaps the finest Garage track ever!
Probably one of the slowest Garage tracks but with an incredible bassline and superb Tommy Musto production. The horns on the Dub mix just keeping lifting the track into a higher orbit, without any need to artificially speed it up. And the vocals just sum up that incredible feeling and spirit of early House Music - spreading a universal message of sharing and loving, accompanied by a masterful soundtrack.
A certified A1 five star Hacienda classic. This record is a monster of a track and probably Mathew's best known track. I remember the day i got this.
The guy in Koobla records handed me every release on itiswhatitis and i played through them and bought the lot. You really cant go wrong with this label. Typerope has such a great chugging bassline that works at any time in a set.
Its one of those tracks that if you dont know what it is, as soon as you get it, youll say to yourself - Oh its that track! Its definately my top track of 2003. The first copies were released on clear vinyl.
I've been listening to this album for nearly 10 years now and it still sounds fresh and exciting every time I listen to it. Changeling is my favourite piece on the album because it starts with a slow keyboard sample before going into a deep bass and drum rhythm and just as I'm feeling relaxed, the most melancholy and uplifting guitar riff starts to play over the top. Other highlights are "Mutual Slump" with its Björk "Possibly Maybe" sample and "Midnight In A Perfect World.
" You won't believe it, but the producers of this amazing experimental electronic album 'Zero Time', Robert Margouleff Malcolm Cecil, were the guys that programmed the synthesizer lines of Stevie Wonder's electronic-Soul albums like 'Innervisions' 'Fulfillingness' First Finale'. All the compositions of Tonto's Expanding Head Band - 'Zero Time' long play (1971) are rather experimental and ahed-of-their-time. The story behind Malcolm Cecil's synthesizer, 'The Original And New Timbral Orchestra' (also known as T.
O.N.T.
O.) is just as amazing as the compositions on this album. Tonto's Expanding Head Band's initial album was released with different sleeve artworks, even though the listener must not think it was well-known - 'Zero Time' was vanguardist and its knowledge was restricted, away from the mainstream.
Probably one of the best Morales remix ever, with an incredible introduction on the 12" Soakin' Wet Mix. This is such a wonderful release. Definitely two of Grant Nelson's finest reworks!
The only real gripe I have is why this wasn't pressed on virgin vinyl. The noise gets in the way in a few spots. Minor gripe, thanks to the noise reduction abilities of digital conversion, but, it would have been nice if the pressing was treated with as much care as Grant put into the tracks!
Still a gemm either way though! When I'm "older" (I'm already old enough! DOH!
) this release in my collection might remind me of a turning point in my life, a proof that you never ever should be old enough to avoid new music. Not that I've ever even been thinking that thought because I've always been "crossover" music-style-wise, but my main focus has always been the electronic stuff. With this depressingly suicidal sounding doom metal record I'll probably start a new era of my record collection.
This record ALONE is enought to force me to think twice about what I'm doing at the moment, buying similar records in abundance each month when there is so much other music to discover, and is that smart? A friend told me that "I should get out of the kiddie pool" when I praised some music too much in a "I know it all" kind of way. I'll confess any day that it's possible to drown in a kiddie pool but it's unlikely if you're older than 3 years old.
Open your eyes! Don't open your mouth! Your ears should always be opened up!
When you're exposed to tracks that stretch beyond 15 minutes in length you've left anything commersial behind you about 12 minutes ago. To even understand the impact a 17 minute doom metal track might do to you requires that you leave ALL the baggage you've gathered during the last few years listening to radio and other media behind you. To be able to understand this record you MUST leave the path you're wandering on.
You won't get lost though! I'm wandering along the same pathway now! Psy Stories 3 is the 13th (oo-er!
) release by Danish underground psytrance outfit Parvati Records – and the final instalment in the Psy Stories trilogy. The first one, released in October 2005, was a masterpiece and still holds the position as the seminal Parvati release. The follow-up, released in June 2006, was a real whirlwind too and was *almost* as good… Great, great stuff all together, so yeah, I’ve been jumping around in concentric circles ever since this third opus was announced.
Sadly it’s also the last in the series, but hey, I’m sure more Parvarti madness awaits so I’m only frowning for a sec… Enough jabbering, it’s story time. Well there you have it. The final instalment in the gob smacking Psy Stories trilogy.
As we’ve come to expect, Parvati always delivers the goods in the shape of relentlessly powerful hypertrance. This is another collection of mostly fiiiiiiiine tracks by some of the underground front-runners. Sure a couple of the tracks were a little too complex for me, but as always, they were easily outweighed by the abundance of really excellent choons.
In comparison, the first Psy Stories compilation is still the best, but this second one is pretty damn cracking too. The cover art by Betinna Butann is a winner in all its kitchy glory and I still find myself amazed by the seemingly bottomless pool of sheer mass which Parvati Records seems to have unlimited access to. TwiBBle fums up to Guiseppe Crew for their continued quest to cater to the masses.
Hypertrance fans and members of the Parvati Army in particular needs to own this bitchin’ piece of plastic. It’s underground Top Of The Pops. It’s sick, soulful and totally sexy!
It’s complete qwnage. Enjoy! Excellent split release from badtaste's Dr.
Butcher MD and Walmartco's el muerto zoke. Heavy slow breaks on the butcher side, and intense sliced noise assault from the zoke side. Too scary for words, worth hearing loudly.
Hand-sprayed label + photocopied collage insert art from more than one source. Unfortunately, Deedrah’s former album Self Oscillation never did it for me. Perhaps that is what opened my eyes so clearly for his talent when I accidentally got a copy of Body Soul.
Body Soul is the full on formula par excellence, oh yes. It’s the rolling bass and the attack? Si, mucho!
And it’s not something you haven’t heard a thousand times before. But it has the infamous “Smoke Weed Everyday” sample in Goa Sunrise at 6:27 and it has one of the best breaks in modern psytrance at 5:23 in A Short Cut Of Mushroom. Besides a rolling bassline at 142 bpm to accompany.
I can’t ask for much more -_- Sure, over an entire album some tracks stick out more than others. All in all, though, this is damn well executed full on and a safe purchase in any book. Which brings me to how to grade this?
A 3-star in my book is “a safe purchase”. But I so want you to buy it maybe I should grade it a 4-star? No, bogger, in my book this is a 3-star!
And some trivia: Opening line “Hey you, don’t watch that, watch this …” is from British band Madness’ track One Step Beyond. Who’d know Deedrah was into pop-ska? The orchestrated Disco masterpiece 'Afternoon Of A Faun' was adapted from Claude Debussy's original composition "Le Prélude À L'Après-Midi D'Un Faune", a symphonic poem made just after his Suite Bergamasqueby by 1890.
"Le Prélude À L'Après-Midi D'Un Faune" was as well inspired from another oeuvre d'art - a poem from Mallarmé. If you like that orchestrated-Disco era of bands such as Love Unlimited Orchestra, M.F.
S.B. and the like, you definitely must listen to 'Discosymphony' by the talented Walter Murphy.
If you want to have an idea of how far this track 'Frequency 7' by Visage went, just imagine a high demanding audience of African Americans listening to European underground anthems such as Ultravox, Depeche Mode, Kraftwerk and Visage on the early eighties like on Electrifying Mojo's repertories or even the ones in Music Institute from Detroit. 'Frequency 7' had a ground-breaking, fully electronic optic that you hardly would consider just 'New Romanthic'; it was far ahead, innovative. As a natural consequence, it got supporters from many different tribes and was Worldwide acclaimed by the music experts, it was honorably included on cult compilations such as 'Last Night A DJ Saved My Life' and 'New Religion Presents A Secret History'.
One day, Scholly D. was following one of the American Football League finals on TV and watched a TV advertisement with 'Block Rockin Beats' by The Chemical Brothers as a soundtrack; he immediately jump off the couch and shout something like "M.F.
, these are my vocals!". The Chemical Brothers tune 'Block Rockin' Beats' sampled Schooly D.
's vocals from "Gucci Again" indeed; its funky basslines beats were taken from the Industrial band 23 Skidoo on "Coup". Avant-garde Jazz LP made mostly on a fusion perspective, except for the amazing Radio-Active that had instruments and electronic equipments - from DMX drums (used by artists such as Herbie Hancock) to synthesizers, played by Craig Peyton. Radio-Active came out on a single version and was played by Gilles Peterson from Talking Loud on his Radio show.
A formerly member of Tangerine Dream, Edgar Froese is the composer of Aqua LP, so you can imagine the quality of it. The Aqua EP has four ambient-experimental tunes of major quality. The underwater atmosphere is present on all of them - but mostly on 'Aqua' itself, something like a deep-inside-the-ocean anthem.
'NGC 891' has a deeply hypnotic-minimal synth mood; from the time it was made, it surely influenced many alternative producers since then. 'Upland' has some very curious Barroque-Organ chords that reminds us of Johann Sebastian Bach's Toccatas Fugues - melted with that ambient-synthetic water elements; these oscillating synth lines of water flows are crossed with these Organs simulations, creating amazing nuances. 'Panorphelia' has the type of electronic minimal basslines that were largely used on the dance music since the nineties, even by bands like Underworld.
Needless to say the importance that had Yellow Magic Orchestra on the early international electronic scene since their first album 'Yellow Magic Orchestra', a reference to an unimaginable amount of electronic producers since then. 'Yellow Magic Orchestra' LP brought timeless classics such as the 'Computer Games' noise clash milestone whose initial bleeps were sampled by 'Quadrophonia - Quadrophonia' (1990) and 'Sweet Excorcist - TestOne' (1990); 'Fire Cracker' was largely played by DJs such as The Wizard on WJLB; 'La Femme Chinoise' (that even became a soundtrack for TV Program), among many other innovative electronic compositions. Definitely a must have.
Cenobite is easily one of the best hardcore labels ever created, it would be in my top 3 favourite labels. The sounds that Michel Klassen (and the highly underrated Rodney Balai) created were simply brilliant, coupled with the cool Hellraiser samples. I always felt that with Cenobite it was "quality over quantity", hence the small number of releases, but every release was awesome, with the exception of some of those odd tracks on The Revelation, but that's my opinion.
My favourite track was The Wish, one of the best tracks ever made. Myself and many others were very happy when the new Leviathan record came out, a welcome relief compared to the generic hardcore being pumped out. I hope the label continues, Da Predator told me he had some tracks ready for the next release, hopefully this will happen sometime soon.
Deep electronic, futuristic avant-garde LP by the French producer Richard Pinhas made in 1976. The mood is, according to the ultra-expert Flavio Alberto, "like an undatable state of mind". Everything seems to bring you to a Science Fiction environment of spaceships and unknown Galaxies.
It's like the perfect soundtrack for movies such as Blade Runner, years before it was made. Absolutely special album. I find this album to be mostly composed of minimal house and IDM.
Most people would just label it electronica...
but its much more then that. I never got into Trentemøller's previous vinyl tracks, but I soon regretted that mistake as soon as I heard this lush album. Tracks like "Take Me Into Your Skin" and "Moan" are some of the most beautiful songs i've ever heard.
Everything in them is perfect.. the beats, the samples and most importantly: the structure.
Trentemøller sure knows how to arrange everything perfectly. My personal favorite here is track 2, "Vamp", which in my opinion, is the best fuse of IDM and rock ever. The guitar in it is really something special.
His sound is extremely fresh in what has lately become a stale genre. Lots of swelling bass lines, fresh vocal work and generous use of the sidechain has made his work see a lot of play time by such well known DJ's as Armin Van Buuren, Gabriel and Dresden, Dumb Dan, Matt Darey, Ozgur Can and many others. An interesting album, definately a departure from the previous sounds (unfortunately IMO).
Most people either love it or hate it, my opinion is some songs are good (Intro to The Toy is especially good) but it does have a tendancy to descend into the fluff which seems to be all too common among israeli psytrance at the moment. Outstanding tracks: Non stop to Nowhere (Nice intro and song), The Toy (Intro), Long Way Home and peace of mind (nice sitar!) In a nutshell.
This is the album Suntrip has been embarking on from the outset. And the first Suntrip release, I feel, where Mars and Fabien truly succeeds with their rendezvous of mid nineties Goa and modern production techniques. This is every bit the old skool vibe you could ask for and totally up to par soundwise with nowadays releases.
Add to this most of the artists here being debutants. Whoever said Goa was going smithereens needs to check out this party baby before repeating that verdict. Of course, there are personal favourites.
Cosmic Silence flags the warning, Aerosis starts party subconscious, and Red Gravity together with Afgin delivers two instant Goa classics if there ever was two. Even Filteria under the K.O.
B. moniker comes through better than ever with a less-in-the-face attitude that suits him like a fist. To think I’ve had my hesitations with him in the past.
Damnit, Jannis, well done :o) And the rest is fillers? The rest is modern Goa history in the making. And brings me to ask: With dance floor adventures this challenging for feet AND mind why bother with Yabba-Dabba-Trance No.
1 mio. releases?!
Sure, if you’re used to M.o.S.
this can welcome you like a hurricane. Too much is going on! Well, focus on one layer and let the melody take you.
Then let the next one grab you ...
and the next one ...
Congrats, Suntrip! I always knew the wait would be worthwhile. "Little Computer People" once was a wide-spread simulation game on the commodore 64.
Today it stands for another pseudonym by german electro-god Anthony Rother. This project reflects the more happier, more commercial electro tunes he does, more than often falling back to good old chiptune-melodies. This album is a must-have for both electro music fans and commodore fans.
. Tiny meat and Paraffin were the radio hits. They are a relatively unknown one hit wonder, but their underground industrial relationship is tight.
They are related to Pigface, among others. Carondelet is my personal interest after having purchased the album second hand. Technically speaking, they sound like an industrial band without electronic equipment.
Cheers to those of us who have not given in to the commercial race and those of us who have. We all came from the same rat's hole (or ferret's hole as said in Japanese). Listening to this record almost 8 years after its release makes me recognize three basic things: 1.
) the "nu-school-Discohouse"-sound was redundant to the bone. Even good records like this one, taking good samples from good disco records are beaten by far by the original Disco tracks. 2.
) Vocals, being the main element of a track, just plain suck. 3.) If you take a search for some overseen B-side tunes, unlisted bonus beats or additional dub mixes, you're sometimes rewarded with solid, timeless house tracks.
B2 on this record e.g. This is a very good compilation, unfortunately the last track (Lab 4 - Transformation) only has the last half, from the break onwards which is a real shame because i think it's the best tune on the cd.
Classic late morning rave track. Sounds simple, with it's high pitched synth riff and phasing sweeps, but the drums keep you alive, without knocking you over. Nice and melodic, for that break of dawn hangover.
It has a nice floating melody and some great tribal back-drums, this could be a top-afterclub sound. A++ for this record ! Music from another world.
A world wich lacks the common 'rules' of making music. 'Follow me' is such genuine piece of music. The guys of Blackway has their own vision of electronic 'Italo Disco music' It's dark, it's catchy in its own way and there is nothing, really nothin you can compare to this tune.
This guys creates their own genre. A very very nice record, its a shame only 500 were printed. This is a real nice record, it is quite cheesy, but, it really doesnt seem to matter, just makes it even better!
All in all its a top notch record, actually one of my favs. Nice female vocals, combined with a bouncy kick and top notch treble filled hats. A definet good record, get it while there are some left.
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