1. The Lamb Lies Down on Broadway (4:50) 2. Fly on a Windshield (4:23) 3.
Broadway Melody of 1974 (0:33) 5. In the Cage (8:15) 6. The Grand Parade of Lifeless Packaging (2:45) 7.
Back in N.Y.C.
(5:42) 11. The Chamber of 32 Doors (5:40) 9. The Light Dies Down on Broadway (3:32) 10.
Riding the Scree (3:57) 11. In the Rapids (2:26) Let me start by saying that this album is definitely a "desert island selection" -- if I were limited to ten (progressive) discs, THE LAMB LIES DOWN ON BROADWAY would have to be one to load into the dugout canoe. (I might even jettison Wilson to make room!
) I originally bought this album in the year of its release, in New York City(so many yellow cabs to be seen from atop the Empire State Building!), as a teen on holiday with my family. When I got home to my stereo and could finally listen to it (no CDs or Walkmans in those days kids, just the old 33 1/3 coal-fired, wind-up "hi-fi" stereo, purchased with the earnings from my first summer job), I was delighted to find that it was (initially) set in: NYC!
Thus, this recording will always have a special resonance for your humble reviewer...
. Anyway, navel gazing aside, THE LAMB is an acknowledged prog masterwork. Largely a Peter Gabriel concept, it was also his swansong with Genesis -- and what a high note to culminate that stage of his career on!
This one has an edge and "street" sensibility that was lacking in previous releases, and that would never so forcefully appear again in the band's history. Just listen to the (opening) title track -- it helps if you pretend it's '75, you're still virginally innocent, and this type of music is evolving before your grateful ears -- and tell me if that's not superlative, ground-breaking prog! Other faves include the infectious "In the Cage," the ultra-powerful "Back in NYC," and the beautiful (if lyrically somewhat bizarre -- but then, so is the entire album) "The Carpet Crawlers," which has to be one of the all-time classic progressive rock songs.
Listen to this album in its entirety, though, because it's all great, the songs run together, and waiting for "The Colony of the Slippermen" (near the close) is well worth it! I listened to this album this morning, and then again (louder, on my bigger stereo) tonight. Damn, but this is very, very good prog!
Gabriel's vocals are so passionate -- he positively screams some lines! What I wouldn't give to jump in a time machine and see the original tour..
.. Oh well, CRANK IT!
Posted Friday, January 30, 2004, 23:57 EST |
Although a giant of a cocept album, this would've gained being just one disc as there are some pretty vacant tracks especially on the second disc. For me the real Lamb LDOB starts with the astounding Windshield On The Freeway and is a no-fault until the end of disc one Chamber Of The 32 Doors. For those who saw the shows at the time (or The Musical Box shows recently), they will know that the tracks preceding and following The Lamia were filler for the Gabe to dress up into and out of that weird and pustulous costume.
For me the Silent Sorrows, Supernatural Anaesthesit and and Waiting Rooms could've been added in concert but not in the studio record for I get fed up of these ambiance as they are way toooooooooo long . Lamia and Sipperman are great but the last four tracks bother to the point that I generally avoid playing side 4 altogether. Maybe I will just one day play that side 4 alone to see if it will go down easier on its own .
Had this been a one disc affair it would've been another 5 stars.
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